Music Composers, Authors & Songs

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189
Goodman, Frank
Farruca"; "Alegrias." Also songs and complete scores for motion pictures including Blood and Sand. Home: Astoria, N.Y. Address: 127 West 52 St., New York 19, N.Y.
Goodhart, Al, composer, b. New York, N.Y., Jan. 26, 1905. ASCAP 1932. Of musical family. Educ: De Witt Clinton High School. Became professional pianist. After brief ex­perience as radio announcer and en­tertainer, became vaudeville pianist and started writing special material for acts. Returned to radio as member of two-piano team which played fre­quently in orchestra pits of N.Y. musi­cal productions. Operated theatrical agency. With publication of "I Apolo­gize," 1931, turned to songwriting as career. Spent several years in Eng­land under contract as composer for motion pictures; returned to U.S. 1938. World War II, entertainer in U.S. and abroad with U.S.O. Songs: "She Shall Have Music", "I'm in a Dancing Mood"; "There Isn't Any Limit to My Love", "Everything's in Rhythm With My Heart", "Auf Wiedersehn, My Dear", "Fit as a Fiddle", "Who Walks in When I Walk Out"; "Black Eyed Susan Brown"; "Jimmie Had a Nickel"; "Why Don't You Practice What You Preach"; "I Saw Stars", "Romance Runs in the Family", "I Must Have One More Kiss, Kiss, Kiss"; "I Ups to Her and She Ups to Me"; "Johnny Doughboy Found a Rose in Ireland'; "Serenade of the Bells"; "Watching the Trains Go By"; "The Place Where I Worship." Home: 310 E. 44 St., New York, N.Y.
Goodman, Al (Alfred), composer, conductor, radio and recording artist; b. Nikopol, Russia, Aug. 12, 1890. ASCAP 1922. Educ.: Baltimore pub­lic schools; boy chorister, won scholar­ship Peabody Musical Inst. While studying, became pianist motion-picture theaters; then singer and later
musical director Aborn Opera Com-any. General musical director, Shu-erts. Conducted first sound film Al Jolson. Producing musical director Schwab & MandeT, Ziegfeld and Max Gordon of one hundred fifty musical comedies, revues and operettas, Good News; Band Wagon; Bombo; New Moon; Ziegfeld Follies; George White Scandals; Blossom Time. En­tered radio 1932 as director of radio shows. Works, including numerous songs interpolated in Broadway musi­cals: "Baby in Love"; "When Hearts Are Young"; "Love Has My Heart"; "We Too"; "Diamond Girl"; "I Came, I Saw, I Fell"; "Way Down South"; "Promenade Walk"; "The Call of Love"; "Twilight." Home: New York, N.Y. Address: c/o ASCAP.
Goodman, Benny, composer, clarinet­ist, radio, motion-picture, and record­ing artist, conductor; b. Chicago, 111., May 30, 1909. ASCAP 1945. Of musical family, mastered clarinet at early age; active in orchestra of So­cial Center, Hull House, Chicago. Advanced studies Lewis Inst., Chi­cago; and Schoepp and Schillinger. Played clarinet with Bix Beiderbecke, Jules Herbuveaux, Arnold Johnson, Ben Pollack. Played in Broadway theater orchestras for Strike Up the Band, 9.15 Revue; Girl Crazy. Or­ganized own band 1933, appeared in hotels, ballrooms, night clubs, etc., throughout the country. Chief activity in popular field; has made guest ap­pearances with symphonic groups; recorded with Budapest String Quar­tet. Songs: "Stompin' at the Savoy"; "Lullaby in Rhythm"; "Don't Be That Way"; "Flying Home"; "Two^O'Clock Jump"; "Seven Come Eleven." Home: New York, N.Y. Address: c/o ASCAP.
Goodman, Frank, composer, author; b. Newark, N.J., Nov. 8, 1894. ASCAP 1921. Educ.: Chicago public and high schools and Chicago Law School. Wrote and produced musicals